“1967” 共找到 “2577” 个相关影视

Lacazadebrujas
正片

1967  

3

Lacazadebrujas

  A group of children commit a terrible sin in the suffocating atmosphere of a religious school. “The Witch Hunt” is a faithful portrait of catholic education during the Franco regime, which favored the feeling of guilt and the repressive mechanisms of power.
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老挝:被遗忘的战争

正片

1967  

2

老挝:被遗忘的战争

  This Cuban film focuses on the history of foreign intervention in Laos, first by France and then by the United States. It shows how the liberation forces of Laos, under continuous U.S. bombing, were able to run an entire society in hidden caves and tunnels. Through the leadership of the Pathet Lao, they organized schools, cultural activities, clinics, as well as political and m...

主观性

正片

1967  

6

主观性

  "Subjektitüde" is one of Sander's early short films shot in the mid-late 1960's. Her social-critic, feminist standpoint can already be seen here, and the film also holds up well today with its nihilistic, not-compromising, lyrical approach, reflecting the mentality of the youth of that era.

R-34
正片

1967  

4
找寻蘑菇
正片

1967  

6

找寻蘑菇

  Bruce Conner described Looking for Mushrooms in the 1975 Film-Makers' Cooperative Catalogue as a “[f]amous documentary containing full information. Special effects by Isauro Nava, Rancho del Cura, Huatla de Jimenez, Mexico. Sound by John Liniment and frenz”.
  In 1962, Bruce Conner left San Francisco and moved to Mexico, apparently intending to “wait out the impending nuclear hol...

床底丈夫
正片

1967  

5

床底丈夫

  Andreicz, a man in his 50s suspects that his wife is cheating on him. He waits in the front of their house and wants to catch his spouse with her lover in the act. Suddenly he enters the apartment, approaches a young woman and after a while he realizes that it's the wrong floor. But then the unknown woman's old husband enters and Andreicz has to hide under the bed. To his amaze...

珍妮塔·科克伦

正片

1967  

8

珍妮塔·科克伦

  与怀特海德的其他作品相比,这部电影更具实验性,它借鉴了多种来源,包括怀特黑德在斯莱德艺术学院期间伦敦拍摄的片段、歌手和模特尼科的一瞥,以及迷幻地下夜总会UFO的片段。还有屏幕上的文字、批评它的声音,以及平克·弗洛伊德的音乐,此时仍然由怀特黑德的剑桥老绘画朋友赛义德·巴雷特主持。在乐队签约EMI之前,怀特海德录制了这首名为《星际超速》的曲目,与他们后来为该唱片公司录制的版本相比,这首曲目更加激动人心,节奏感更强。这部电影的内容和以其命名的科克伦剧院之间没有明确的联系,但该剧院在1966年被用作自发地下电影节的场地。