“西德” 共找到 “5056” 个相关影视

寻景非洲
正片

1987  

9

寻景非洲

  This film essay by Steff Gruber is a report on the exceedingly difficult work of making Werner Herzog's film COBRA VERDE in Ghana. The very personal film however is more than just a blow by blow account of the film's creation. It also focuses on the complicated relationship between the two stars Werner Herzog and Klaus Kinski, the walk-on players (Herzog had a thousand young Gh...

希尔弗
正片

1967  

4
一地草芥

正片

1988  

5

一地草芥

  一名恐怖分子叛逃者评论了一名被绑架的汽车销售员的命运。

微笑之星
正片

1983  

1

微笑之星

  Structured like a musical collage, Der lachende Stern (The Laughing Star) is a film about the Philippines and the Third World. Its starting-point was the 1983 film festival in Manila, an event of high symbolic value for its founder, Imelda Marcos, the First Lady of the Philippines. Der lachende Stern reflects the cultural reality of the Philippines with interviews, excerpts fro...

新德国电影报告
正片

1966  

6

新德国电影报告

  Interview film with the protagonists of the New German Cinema in 1966.

Gesucht:MonikaErtl

正片

1989  

8

Gesucht:MonikaErtl

  In 1971 she was 'wanted' for political murder, because she had assassinated a Bolivian Colonel, who represented the oppressive military dictatorship in the South American country. In 1973 she was ambushed and shot by the police forces led by the notorious Klaus Barbie, former Gestapo chief in Lyons, France - see also Htel Terminus (1988). Monika had tried to abduct him to brin...

巴比伦巫师
正片

1982  

5

巴比伦巫师

  Documentary about German director Rainer Werner Fassbinder, during the time of filming "Querelle." Features an interview with Fassbinder only ten hours before his death.

例如:婚姻破裂
正片

1969  

5

例如:婚姻破裂

  通奸,不忠,欺骗。
  这十年(1960-1969)的变化真的有如此之大吗?
  把人们从性压抑的镣铐中解放出来的“全德性爱教师” Oswalt Kolle又恰逢其时地提出了一个新的热点话题:通奸。对于夫妻双方而言最大的考验莫过于通奸和不忠,不过Kolle教你“风物长宜放眼量”,强调如果处理得当上述行为可能增进彼此的感情,而不会成为婚姻的终结。
  他这“令人发指“的理念在六十年代末的德国再次引发了一场声势浩荡的抗议浪潮。面对保守团体的猛烈抨击,Kolle心如止水,依然我行我素。争议越大,观众越多。该片大获成功,350万张电影票=……当然是一个“金银幕”奖。

DashchsteGuteinerFrauistihrSchweigen
正片

1980  

4

DashchsteGuteinerFrauistihrSchweigen

  The film deals with an imigrant woman from southern Italy, who lives in Frankfurt in the 1970s. Unusual about this film is the way of the storytelling. The original plan was to make a documentary, but none of the female protagonists were willing to be seen in front of the camera. The fear to expose their own family was too big. The law of “omerta” exists in the diaspora as well...