Zoran finds out that his wife, Jovanka, got pregnant with someone else, and convinces her to have abortion, at the local vet. Jovanka makes a secret deal with Zoran's brother Milan, and the vet, not to do it. Zoran murders Jovanka, but dies, soon after, from a gunshot of a Milan's son. Many years after, Milan's son decide to tell his brother, Zoran's son, the truth about murder...
有关本片的背景:在苏东剧变的猛烈风潮下,1992年曾经的南斯拉夫社会主义联邦共和国一分为五,被压抑的民族恩怨如同泉涌般爆发,国内两大民族——塞族和克族更是爆发了旷日持久的战争,巴尔干火药桶再一次被点燃。虽然冲突各方在1995年达成了停火协议,但各族的冲突则贯穿整个九十年代,直到2001年科索沃战争后才有所缓和。
本片拍摄于1997年,时间线索为1995年即战争刚停火阶段。当时的冲突造成了大量平民伤亡,流离失所,一些地区更是陷入人道主义危机中。本片聚焦于这时的社会生态:**机构近乎瘫痪后的权力真空被毒贩、皮条客等黑社会势力把持,年轻人大量失业,无所事事,年轻女孩被迫卖淫求生,中老年人更是举步维艰。但全片没有去刻意扩大这种悲苦感,而是像一首淡淡的诗,黑色的背景下透着一股迷惘和哀伤,现实的维度里克制的展示了战后人生存的无力和戏谑。三个夏日,也许只是那些生活...
A rising journalist star in 1979 Communist Yugoslavia, uncovers a web of hidden truths as he reports on a brutal murder that shocked a small town in rural countryside. An exciting story, that beneath the protests of 1968, a political murder and one family’s drama, submerges into the intimacy of violence, self-destruction and terror, deeply hidden in the balkan pits.
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The story focuses on a young and aspiring football player, burdened by temper issues, who from early youth and due to his gift has been the target of various interests. Golden Boy is envisioned as a coming-of-age story about a young character living and finding his way in harsh circumstances and how that reflects back onto such a hapless hero.