Filmed by the eye of Jérémie Battaglia, this small aesthetic big bang projects us into the imperfect and infinite universe to which we belong and in which we choose to continue, together, despite everything. Because after all, to despair together is already to hope a little.
Three circular panoramas follow on from each other in three interiors. With each rotation of the camera, a limitless intimate world is born, dies and resurrects. Houses of love are also monuments to the dead, past or future.
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BOUQUETS 31-40 continues, like the previous Bouquets, to explore different places, which for various reasons, are ecological. For 31-40 they are in France, in Ardèche, Alpes-de-Haute-Provence, Tarn and Vaucluse and also in Piemont, Italy.
The first in a series of films about holding time on one reel of 16mm film. The photographer operates a Polaroid camera pointed at the camera, which returns the view. The Polaroid portraits of the camera that emerge during this dialogue of cameras gradually obscure the field of view until it is completely replaced by fifteen versions of what usually remains hidden.
A gaudy vision of our modern age’s gruesome grimness, done as a funky picture-collage animation. As per Reisenbüchler, the film deals with man’s preoccupation with progress, technology, and pollution. A masterpiece of sadly lasting relevance.
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