作为一名足球运动员,约翰·克鲁伊夫的国际影响力始终鲜明地活跃于在巴塞罗那的人心中——这座至今都存在着数字“14”和他经历过无数次比赛的城市。从克鲁伊夫这个人们心中无法复制的偶像elmomentodado(以前西班牙语中没有的荷兰习语的书面翻译)说起,十三个人从巴塞罗那赶来,向导演雷蒙·戈尔林(《布努埃尔的囚徒》)诉说关于克鲁伊夫带给他们的无数时刻。那些他带给这些人惊喜的特殊时刻,或让他们愤怒不已,或让他们对激情异常狂热。这部影片探索了加泰罗尼亚人的身份问题,他们几十年来的独立历程,以及克鲁伊夫在其中扮演的重要角色——通过创造奇迹,他近乎成了加泰罗尼亚人的圣徒。最终,克鲁伊夫走向了人生的巅峰……
urroundings, fatal experiences are burned into the memory of an ambulance paramedic. The traumatic dimension of carrying out a profession that is essential for society is brought closer by the documentary confession of a man who sometimes unfortunately cannot save the lives of others.
“In recent years, I have often been surprised at how we move the suffering in our society to t...
他们书写了时装史。从六十年代中期到九十年代中期,Puck & Hans 站在荷兰时尚界的前沿,总是比其他(荷兰)设计师领先一步。Puck 和 Hans:时尚先锋、终身合作伙伴,至今仍是时尚界的灵感来源。这部纪录片的主线是在阿姆斯特丹博物馆对他们的作品进行回顾,回顾这对非凡的创意二人组的生活和工作。
Fiona Tan was born in Indonesia from an Indonesian-Chinese father and an Australian mother, and as such May You Live in Interesting Times is Tan’s most autobiographical work to date. It traces the history of the Tan family. In a documentary style, the work critically analyzes the construction of (her own) identity, but also investigates the identity of the Overseas Chinese and ...
When director Saskia Boddeke saw the performance Furia by Kamak, a professional theater group for actors with intellectual disabilities, she was so impressed that she decided to make a film about the ensemble. The piece they perform, a lavishly designed fairytale about lust and anger, is cinematically portrayed by Boddeke with beautifully staged shots in rich, saturated colors....