In this first film by Moholo-Nagy, the documentary description of everyday life in Marrseille leads to a study of the famous transporter bridge, which was a symbol of modernism for an entire generation of photographers and filmmakers.
"The famous transporter bridge shines in the middle of the landscape. It comes and goes tirelessly from one bank to the other. Foreigners admire ...
A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
The rich, amoral Zelie is married to Pierre Boucheron, "The Rat" - but her interest in another man is an open secret. Forced to defend his honour, the Rat takes refuge in his old domain of the Paris underworld. But even here he has a rival - and when murder is afoot, the sinister Morel's ambition threatens to cost the Rat dear